Symulacje Fujifilm, ustawienia, symulacje klasycznych filmów, zdjęcia
Natknąłem się wczoraj na grupie Fuji na taką stronę i temat "receptur" zasymolowania w aparacie kilku "klasycznych klisz". Bardzo ciekawy wpis, rysy historyczne "fimów"
https://fujixweekly.com/recipes/
Postarałem się tutaj zrobić od razu "wyciąg" z ustawień jesli nie chcemy przebijać się przeez wszsytkie wpisy na blogu.
Velvia
https://fujixweekly.com/2017/10/01/my-fujifilm-x100f-velvia-film-simulation-recipe/
Dynamic Range: DR200
Highlight: -1
Shadow: 0
Color: +2
Noise Reduction: -2
Sharpening: +2
Grain Effect: Weak
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 (typically)
Astia
https://fujixweekly.com/2017/10/16/my-fujifilm-x100f-astia-film-simulation-recipe/
Dynamic Range: DR200
Highlight: -1
Shadow: -2
Color: +1
Noise Reduction: -3
Sharpening: +1
Grain Effect: Weak
White Balance: Auto
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 (typically)
Classic Chrome
https://fujixweekly.com/2017/08/27/my-fujifilm-x100f-classic-chrome-film-simulation-recipe/
Dynamic Range: DR200
Highlight: -1
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpening: +2
Grain Effect: Weak
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to 12800
Exposure Compensation: +2/3 (typically)
Vintage Kodachrome
https://fujixweekly.com/2017/10/21/my-fujifilm-x100f-vintage-kodachrome-film-simulation-recipe/
Classic Chrome
Dynamic Range: DR200
Highlight: +4
Shadow: -2
Color: +4
Sharpening: +1
Noise Reduction: -3
Grain: Strong
White Balance: Auto, +2 Red, -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to -1 (typically)
PRO Neg. Hi
https://fujixweekly.com/2018/01/21/my-fujifilm-x100f-pro-neg-hi-film-simulation-recipe-portraits/
Dynamic Range: DR200
Highlight: -1
Shadow: -1
Color: +1
Noise Reduction: -3
Sharpening: +1
Grain Effect: Weak
White Balance: Auto
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)
Flash: On (typically)
Fujicolor Superia 800
https://fujixweekly.com/2018/02/03/my-fujifilm-x100f-fujicolor-superia-800-film-simulation-recipe-pro-neg-std/
PRO Neg. Std
Dynamic Range: DR200
Highlight: +1
Shadows: +2
Color: +4
Noise Reduction: -3
Sharpening: +1
Grain Effect: Strong
White Balance: Auto, -2 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 (typically)
CineStill 800T
https://fujixweekly.com/2018/04/25/my-fujifilm-x100f-cinestill-800t-film-simulation-recipe/
PRO Neg. Std
Dynamic Range: DR200
Highlight: +3 (+2 when there is a bright light source in the image)
Shadow: +1
Color: -1
Noise Reduction: -3
Sharpening: +1
Grain Effect: Strong
White Balance: 3200K
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)
Eterna
https://fujixweekly.com/2018/03/02/my-fujifilm-x100f-eterna-film-simulation-recipe/
PRO Neg. Std
Dynamic Range: DR400
Highlight: -2
Shadows: -1
Color: -4
Noise-Reduction: -4
Sharpening: +1
Grain Effect: Weak
White Balance: Auto, +2 Red & +2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1 (typically)
Kodak Portra 400
https://fujixweekly.com/2018/05/30/my-fujifilm-x100f-kodak-portra-400-film-simulation-recipe/
Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +2
Color: -2
Noise Reduction: -3
Sharpening: +1
Grain: Strong
White Balance: Custom, +2 Red & -5 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1 to +1-1/3 (typically)
Kodak Ektar 100
https://fujixweekly.com/2018/06/16/my-fujifilm-x100f-kodak-ektar-100-film-simulation-recipe/
Astia
Dynamic Range: DR-Auto
Highlight: +1
Shadow: +3
Color: +4
Noise Reduction: -3
Sharpening: +1
Grain Effect: Off
White Balance: Auto, +3 Red & -2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)
Cross Process
https://fujixweekly.com/2018/10/15/my-fujifilm-x100f-cross-process-film-simulation-recipe/
Provia
Dynamic Range: DR200
Highlight: +2
Shadow: +3
Color: +4
Noise Reduction: -3
Sharpening: 0
Grain Effect: Strong
White Balance: Auto, -3 Red & -8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 (typically)
Acros
https://fujixweekly.com/2017/08/27/my-fujifilm-x100f-acros-film-simulation-recipe/
Acros/Acros+R/Acros+G
Dynamic Range: DR200
Highlight: +2
Shadows: +2
Noise Reduction: -2
Sharpening: +2
Grain Effect: Off
ISO: Auto up to 12800
Exposure Compensation: +1 (typically)
Acros Push-Process
https://fujixweekly.com/2017/11/11/my-fujifilm-x100f-acros-push-process-film-simulation-recipe/
Acros/Acros+R/Acros+G
Dynamic Range: DR200
Highlights: +4
Shadows: +3
Noise Reduction: -3
Sharpening: +1
Grain Effect: Strong
ISO: Auto up to 6400 (typically)
Exposure Compensation: +1 (typically)
Agfa Scala
https://fujixweekly.com/2018/08/12/my-fujifilm-x100f-agfa-scala-film-simulation-recipe/
Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR100
Highlight: +4
Shadow: 0
Noise Reduction: -3
Sharpening: 0
Grain Effect: Weak
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)
Ilford HP5 Plus
https://fujixweekly.com/2018/12/01/my-fujifilm-x100f-ilford-hp5-plus-film-simulation-recipe/
Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR200
Highlight: +4
Shadow: +2
Noise Reduction: -3
Sharpening: 0
Grain Effect: Strong
ISO: Auto up to ISO 6400
Exposure Compensation: 0 (typically)
Kodachrome II
https://fujixweekly.com/2018/08/19/my-fujifilm-x-pro2-kodachrome-ii-film-simulation-recipe/
Classic Chrome
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -1
Noise Reduction: -3
Sharpening: 1
Grain Effect: Weak
White Balance: Auto, +3 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)
Dramatic Classic Chrome
https://fujixweekly.com/2018/05/22/my-fujifilm-x-pro2-dramatic-classic-chrome-film-simulation-recipe/
Classic Chrome
Dynamic Range: DR-Auto
Highlight: +3
Shadow: +3
Color: 0
Noise Reduction: -3
Sharpening: +1
Grain Effect: Strong
White Balance: Auto, -1 Red & +1 Blue
ISO: Auto up to 12800
Exposure Compensation: +1/3 or +2/3 (typically)
Vintage Agfacolor
https://fujixweekly.com/2018/06/23/my-fujifilm-x-pro2-vintage-agfacolor-film-simulation-recipe/
Classic Chrome
Dynamic Range: DR-Auto
Highlight: +2
Shadow: +1
Color: -4
Noise Reduction: -3
Sharpening: 0
Grain Effect: Strong
White Balance: Auto, -3 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to -2/3 (typically)
Tri-X Push-Process
https://fujixweekly.com/2018/08/25/not-my-fujifilm-x-pro2-tri-x-push-process-film-simulation-recipe/
Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR200
Highlight: +3
Shadow: +4
Noise Reduction: -4
Sharpening: -1
Grain Effect: Off
ISO: Auto between 3200 & 12800
Exposure Compensation: +1/3 to +2/3 (typically)
Aged Color
https://fujixweekly.com/2018/11/17/my-fujifilm-x-t20-aged-color-film-simulation-recipe/
PRO Neg. Std
Dynamic Range: DR400
Highlight: +2
Shadow: +3
Color: +4
Noise Reduction: -3
Sharpening: 0
Grain Effect: Strong
White Balance: Auto, +5 Red & -3 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 (typically)
Kodak Ektachrome 100SW
https://fujixweekly.com/2018/12/02/my-fujifilm-x-t20-kodak-ektachrome-100sw-film-simulation-recipe/
Velvia
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -1
Noise Reduction: -3
Sharpening: 0
Grain Effect: Weak
White Balance: Auto, +3 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)
Fujicolor Pro 400H
https://fujixweekly.com/2018/12/23/my-fujifilm-x-t20-fujicolor-pro-400h-film-simulation-recipe/
PRO Neg. STD
Dynamic Range: DR200
Highlight: 0
Shadow: +3
Color: +4
Grain: Weak
Noise Reduction: -3
Sharpening: 0
White Balance: Auto, +2 Red & +1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)
Agfa Optima
https://fujixweekly.com/2019/02/14/fujifilm-provia-film-simulation-settings-or-my-agfa-optima-200-recipe/
Provia
Dynamic Range: DR100
Highlight: -2
Shadow: +2
Color: -2
Noise Reduction: -3
Sharpening: 0
Grain Effect: Weak
White Balance: Auto, -1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)
Szukaj
Skontaktuj się z nami